Threads of Tradition, Knots of Sustainability
Our journey to explore Odisha’s fading arts led us to the Mankidia tribal village near Keonjhar. Alighting from our car the village seemed deserted but a young woman greeted us warmly and explained everyone was in the community hall. We followed her eager steps to the community prayer hall, where we joined the village’s daily devotions.
The name ‘Mankidia’ had piqued my curiosity, and I was eager to learn more about this intriguing community. As I interacted with the villagers, especially the elderly matriarchs who relished engaging in lively discussions, I had the privilege of meeting Mehali mausi, an energetic woman who generously shared the rich tapestry of her tribe’s heritage. She explained that the Mankidia people were skilled in rope-making and deterring troublesome monkeys. When I asked about their rope-making origins, Mehali recounted a fascinating legend…
According to the tale, their ancestors were offered a choice by the Forest God: a bag of gold coins or a magical rope that could bind anything. They chose the rope, recognizing its potential to protect their tribe and forests. Pleased with their decision, the Forest God taught them to craft ropes from Siali fiber and imbued these ropes with special abilities.
From that day forward, the Mankidia people not only mastered the art of rope-making, but also utilized the rope’s powers to catch monkeys, heal wounded animals, banish evil spirits, and even bridge gaps between people. This rich tradition has been passed down through generations, becoming an integral part of their cultural identity.
When I inquired why this remarkable craft was fading, Mehali briefly left the room. Fearing that I may have inadvertently offended their sensibilities, pang of discomfort hit me. But soon she returned with an array of handcrafted items – Brooms, Sheetal Patti, Ropes, Wine Bottle Holders, and Sling Bags. She asked if I would purchase these products.
I loved their handiwork and asked to buy four brooms, which seemed to break the ice. The villagers then shared their concerns about the growing preference for plastic alternatives and the limited opportunities to sell their products.
They explained their ability to produce large quantities of items made from Siali fiber, Sabai grass, and Jute, as well as disposable leaf plates called Khali. However, they struggled with market access and declining demand for their handcrafted goods.
As I listened to their stories, I felt a sense of urgency, that we should help preserve this intangible heritage and provide a platform for the Mankidia people to showcase and sell their wares, thereby safeguarding an invaluable part of Odisha’s cultural legacy.
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